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Cameras

RED EPIC-W 8K S35

RESOLUTION MATTERS MORE PIXELS. MORE POTENTIAL.

With superior image quality and best-in-class resolution, RED EPIC-W® with HELIUM® 8K S35 sensor allows content creators everywhere to deliver ultra-detailed still and motion images. EPIC-W’s 35 million pixels capture subtle features and tiny nuances that can’t be seen at lower resolutions. At 35.4 megapixels, that's 4x more resolution than 4K—and over 17x more resolution than HD.

RED WEAPON 8K S35

SUPERIOR IMAGE QUALITY THAT SPEAKS FOR ITSELF

The WEAPON 8K combines advanced color science with incredible dynamic range. The result is cinema image quality that breathes life into your footage. Showcase the depths of shadows as well as highlight roll-off to capture otherwise imperceptible details.

RED DRAGON – 6K

BIGGER IS BETTER

With the 6K RED DRAGON® sensor, you can capture over 9x more pixels than HD. Unrivaled detail and impressive native exposure eclipse 35mm film in both latitude and image density. Industry leading specs distinguish the EPIC DRAGON as a model for image innovation, helming the evolution of digital cinema technology.

Motion Control

Motion Control ST4 Kit

Precision 4-axis motion control for professional cinematographers. Pan, tilt, slide and focus. Wireless, simultaneous control for outstanding live control, complex keyframes, repeatable (even at high speeds), time-lapse.

Lens

ULTRA PRIME SET 16,24,32,50,85,135 MM

Ultra Prime lenses feature an entirely new iris design which is practically free of hysteresis distortion. Featuring a nine blade design (the 135mm is a ten blade) with finer rounded aperture contours, this delivers a finer and more rounded shallow bokeh instead of angular. The end result is a more natural and less mechanical depiction of unsharp.

RED PRO PRIMES

As disruptive and significnt as the cameras themselves. RED provides a new standard for performance.

ARRI ALURA 45-250 MM

ARRI and FUJINON have joined their extensive expertise to create a completely new family of modern cine zooms. Using the latest in optical design technology and innovative manufacturing techniques, the ARRI/FUJINON Alura Zooms combine the highest optical performance with an amazingly small size.

DUCLOS 11-16 MM

The Duclos 11-16mm is an extremely versatile lens. While it's wide-angle nature may be unique, it's right at home on a variety of productions including ariel, underwater, landscape, action sports, and many more environments. The original 11-16mm cinema rehousing, the Duclos 11-16mm provides an operator friendly.

RED 18-50 MM

This lens is equipped with i Intelligent Metadata technology which means that your RED camera displays and records the lens details, f/T stop, focal range and focal distance on the camera monitor and recorded clip metadata, this is invaluable.

ANGENIEUX 25-250 MM

This Angenieux vintage zoom lens is smaller than it looks and can be mounted without the need for a lens support, just a regular PL mount directly to your camera, it is pretty light too and can be operated handheld without any issues.

Other Equipments

DJI OSMO +

The DJI OSMO is controlled (camera and gimbal) via joystick on the handle, including pan and tilt and also features a smartphone holder on the side handle for monitoring. There are loads of other options via Wi-Fi link and the DJI smartphone App, including remote monitoring.

DJI PHANTOM 4 PRO

An uprated camera is equipped with a 1-inch 20-megapixel sensor capable of shooting 4K/60fps video and Burst Mode stills at 14 fps. The adoption of titanium alloy and magnesium alloy construction increases the rigidity of the airframe and reduces weight, making the Phantom 4 Pro similar in weight to the Phantom 4. The FlightAutonomy system adds dual rear vision sensors and infrared sensing systems for a total of 5-direction of obstacle sensing and 4-direction of obstacle avoidance.